![]() The foundations are in place, then, if the show can remember that Star Wars at its best is snappy and fun, not slow and serious. A fact-finding trip to a bustling port, meanwhile, lends the action a bit of Andor-esque insight into how fighting fascism is a never-ending struggle, when it becomes apparent that although the gaff is no longer run by the Empire, not everyone who runs it has seen the light. Not that the show foregoes spectacular action: Sabine’s impulsiveness means that a hoverbike duel or running chase is never far away, and Ahsoka regularly shows off her cool trick of fighting with her lightsaber held in a reverse grip. Although Ahsoka is a little too inscrutable – she sometimes has the air of a sitcom mum, folding her arms in mute exasperation at the foolishness around her – and Hera’s main discernible trait so far is that she has a green face, the dynamic is there. The potential in this all-female trio is for a nuanced, character-driven take on space capers, as the maternal Ahsoka and the auntly Hera try to nurture Sabine’s wild warrior talents. More reliable assistance comes from Hera Syndulla (Mary Elizabeth Winstead), a general in the benign New Republic. Ahsoka’s need for help in decoding the map leads her to take a risk on her talented but unstable former protegee, Sabine Wren (Natasha Liu Bordizzo). But it all happens at such a measured pace that if you haven’t come to the show primed to enjoy every little thing Ahsoka does – enthusiasts have spent more than a decade watching the character develop in the animated series Clone Wars and Rebels – you might wonder why you’ve just had to spend several minutes watching a woman find a map.Įventually, despite a lot of gazing at admittedly impressive CGI backgrounds, and plenty more scenes where people walk around for a bit before they do anything, a gang emerges. Like everything else in the show, this dusty, creaky lair is sumptuously designed, and there are pleasing Indiana Jones vibes as secret trapdoors are opened, artefacts are found hidden in sand, and stone obelisks are twisted into just the right position to awaken their mysterious power and spring them open. ![]() Take, for instance, the sequence where Ahsoka searches an abandoned underground hub on a desolate planet. But it’s not a race in which anyone moves fast.Īhsoka is set in a galaxy so far away that it is yet to receive word of the old screenwriting maxim about starting a scene late and leaving it early. When two malign mercenaries who seem to be using Jedi-like powers for nefarious ends also show an interest in the map, a race is on. Ahsoka’s quest is to find and neutralise Grand Admiral Thrawn, an exiled Empire stalwart, and she’s learned that an arcane map could reveal his hiding place. The monstrous Galactic Empire has fallen, but fears of its imminent revival are well founded. ![]() Although exactly who Ahsoka is can be hard to pin down, which isn’t ideal for a lead character – she’s a sort of mentor/vigilante/fixer – she cuts a calm but stern figure in an era of fragile progress. Our heroine is a former apprentice to Anakin Skywalker, the man who became Darth Vader, who hasn’t followed her master to the Dark Side.
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